Tartuffe

Molière's famous play, adapted for 3 actresses, musicians and singers, in a surprising female version.

Molière's famous play, adapted for 3 actresses, musicians and singers, in a surprising female version. The press unanimously:

. ‘’So much talent is indecent. Genius. An incredible tour de force.’’ Les chroniques des noctambules - Vincent Pasquinelli

. ‘’We had to dare. Excellently seen and thought. This patchwork is terribly ingenious, intelligent, creative, rhythmic, full of humor.’’ Justfocus - Fabrice Glockner ‘

. ’A perilous but oh so successful undertaking, fitting well into the zeitgeist. The tone is playful, brilliant, toned too.'’ Regart’s – Jean-Michel Gautier ‘

. ’’An assemblage of nuggets, finds and intelligence. A virtuosity of breaks in tone and style of the game, treated with humor and fantasy.’’ Revue-spectacles.com - Fanny Inesta ‘

. ’A great success justified. Staging intelligently turned towards our time. Men are here a pretext for emancipation, women's freedom.’’ Le bruit du Off - Pierre Salles

. ‘’Rhythmic, inventive and jubilant. 3 breathtaking actresses, in perfect osmosis. Pure pleasure.’’ Le Dauphiné Libéré - Dominique Parry

. ‘’Adapted for 3 exceptional actresses, Tartuffe has lost none of its societal criticism and gains in humor and musical finds’’ Vivant Mag - Evelyne Karam

http://www.cent-tetes.fr


Synopsis :
Orgon is the archetype of the court character, fallen under the thumb of Tartuffe, a false devotee of whom he is totally fooled. To the point of proposing to marry Mariane, his daughter, even as the hypocrite tries to seduce Elmire, Orgon's second wife.
This is where Dorine, Mariane's next, an enlightened figure, feminist before the hour, never short of arguments to denounce the maneuvers, comes in. It plays a central role here and leads the revolt, not only against the impostor, but also, but above all against the old macho and patriarchal society. Will it succeed in making the moral sense triumph?